to Wenzel Mraček | 4:43 PM, April 30, 2021
The photographer did not keep the photos himself, rather he kept the diagrams on the screen of a small digital camera Lea Titz 2008 in Rome. The title “SAXA RUBRA” does not show the attractive tourist motifs of the city, but rather are statistical representations of the colors and lighting conditions that, although coded, indicate the location of the image.
For a joint exhibition project with the artist and the gallery owner Barbara Edlinger Lea Titz asked other artists and scholars to engage in dialogue about a selection of their own works from past years. A cardiologist in Graz can see examples from the “SAXA RUBRA” series Robert Jacir In light and dark element distribution curves, morphological similarities with developmental plots of the number of MERS cases in Austria. Together with the astrophysicist Manuela Timmer Barbara Edlinger designed a piece of jewelry that consisted of a bracelet and necklace attached to a chain. Put this on the cylindrical bracelet, it will become a dark camera with which you can see the sun on your hand. Music Monique Wessel On the one hand, Titz’s video “Penultimate Snow” (2011) collaborated with an amplified and now audible sound of falling snow. Lea Titz discusses with a space engineer whether the globular hornet’s nests – after “The Queen’s Building” (2019) – can be called architecture Barbara Imhoff. In analogy, this habitat is illustrated in the space model. Shows in “Worm Castings” (2013) Marigan chart An animated movie in which a bird tries in vain to pull an earthworm from the ground.
Lea Titz, Barbara Edlinger et al. Cross the Queen. Tot 29 mei, TRANSIT-tentoonstelling, Bürgergasse 11, Graz. galerietransit.at
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